Tuesday, November 8, 2011

“Ireland, America, and the Worlds of Mathew Carey”

A conference sponsored by 
The McNeil Center for Early American Studies,
The Library Company of Philadelphia,
the Program in Early American Economy and Society,
and the University of Pennsylvania Libraries

 
The first half of the Mathew Carey conference kicked off last week, bringing scholars from Ireland and the United States together to discuss the many facets of Carey’s life. Reversing the arc of Carey’s own life, the conference will move from Philadelphia to Trinity College Dublin next week. Carey made the reverse journey at the age of 24 to escape British officials after his seditious Volunteer’s Journal caught their attention. In his Autobiography, Carey reports he made the journey disguised “in female dress,” in which he “must have cut a very gawkey [sic] figure.”

In his welcoming remarks, Jim Green, librarian at the Library Company and the foremost expert on Carey, asked the audience to consider whether Carey was a founder. Green pointed out that Carey certainly shared one quality with the founders: ever enigmatic, Carey is as hard to pin down as Jefferson, Franklin, etc. on the questions that faced the new nation. Borrowing from Roslyn Remer’s insight in Printers and Men of Capital, Green observed the tension that those who have worked on Carey have noted—a tension between cooperation and competition—reflects the paradox of the book trade itself in the period. Green concluded by describing Carey in the parlance of his time, as a man of incredible passion who had mixed success in regulating those passions.

The conference picked up the next morning at the McNeil Center for Early American Studies with Maurice Bric’s plenary address. Bric posed a question that remained on the table for the rest of the conference: What were Carey’s Irish influences?  How did Carey’s experience in Ireland shape his understanding of American politics and culture?  Bric asked this question in relation to Carey’s The Urgent Necessity of an Immediate Repeal of the Whole Penal Code (1781), which, as one panelist observed, became the urtext of the conference. Bric identified “oligarchy” as Carey’s primary concern in the pamphlet and looked at how Carey targeted oligarchy in the American context, specifically in his exchanges with William Cobbett. In the lengthy discussion that followed Bric’s presentation, the question of Carey’s stance on race was raised, and this question also percolated throughout the rest of the conference. Carey held contradictory positions on the status of African Americans in the new republic, and one wonders if his understanding of himself as a racialized subject in colonial Ireland influenced his perspectives and actions in Philadelphia.

The panels that followed were as varied as the career of a ceaseless scribbler of nearly 50 years. Topics such as politics, economics, religion, and print culture reflected the fact that Carey, to borrow a description from Samuel Blodget, was like “the proboscis of a noble elephant,” surveying the landscape all around him.

And there is so much more fun to come!  The Carey conference will pick up in Dublin next week. The Dublin conference is being organized by academics from the Centre for Irish-Scottish and Comparative Studies, Trinity College Dublin, University College Dublin, and the University of Aberdeen, and coordinated through the Trinity Long Room Hub in association with the National Library of Ireland.

Molly O’Hagan Hardy
Mellon Writing Fellow, Southwestern University
2010 LCP American Society for Eighteenth-Century Studies Fellow

Friday, November 4, 2011

Auction Success



     I just returned from bidding on a few lots at a sale at Freeman’s Auction, and my heart is still pounding. The adrenaline really gets going when there is bidding happening on the floor, on the phones, and on the internet and you don’t want to lose track of what’s happening. I succeeded in buying the one lot I most wanted—a ca. 1870s albumen photograph of the Wissahickon by Philadelphia photographer John C. Browne. This photograph was one that was missing in an album of Browne photographs given to us last year and it is great to be able to reunite it with companion pieces.

 Sarah Weatherwax
Curator of Prints & Photographs

Thursday, November 3, 2011

LCP Collections on Loan


We recently had a few items that were on loan to other institutions returned to us and it got me thinking about where else people can see Library Company collections outside of our building. If anyone is going to be in New York City, be sure to visit the Morgan Library & Museum to see their current exhibition Charles Dickens at 200 (http://www.themorgan.org/exhibitions/exhibition.asp?id=48). Described by the New York Times as an “immensely rich exhibition of manuscripts, photographs, letters, illustrations and artifacts,” the exhibition includes a daguerreotype portrait of Dickens from our collection. Closer to home, we have a print and pamphlet relating to Chang and Eng, 19th century co-joined twins, at the Mutter Museum’s Through the Weeping Glass exhibition, and Civil War ephemera including envelopes, political campaign cards and an anti-slavery token on view in an exhibition entitled Philadelphia 1861: The Coming Storm at the Union League’s new Heritage Center.

Sarah J. Weatherwax
Curator of Prints and Photographs


Friday, March 18, 2011

"Technology Versus Art"

Join us on Wednesday, March 23 at 6:00 p.m. for “Technology Versus Art: The Early Daguerreotype’s Confounding Status in Philadelphia, 1839-1845"

Sarah Gillespie, current William H. Helfand American Visual Culture Fellow at the Library Company, will discuss the initial reception of the daguerreotype in Philadelphia. The Library Company holds over 200 daguerreotypes, primarily produced in Philadelphia between 1840 and 1860. Many of these early photographs were recently on display in our “Catching a Shadow: Daguerreotypes in Philadelphia, 1839-1860” and can now be seen in the online exhibition. Please email lpropst@librarycompany.org or call 215.546.3181 to RSVP for this event.

Monday, March 14, 2011

“Revisiting Rural Cemeteries”

Join us on Wednesday, March 16th, 1:00 - 5:45 p.m. for a Symposium Sponsored by Library Company of Philadelphia, the Laurel Hill Cemetery Company, and the Program in Historic Preservation, University of Pennsylvania

In the three decades prior to the Civil War, Americans flocked to “rural” cemeteries being built outside cities and towns. They came to mourn, to tour, and buy land; to hear speeches, view monuments, and visit family lots; to study the art of landscape gardening; and to engage in a kind of solitude that was both social and civic in nature. Philadelphia’s Laurel Hill Cemetery, an early example of the type, is now celebrating its 175th anniversary. In conjunction with the exhibition “Building a City of the Dead: The Creation and Expansion of Laurel Hill Cemetery” (on view at the Library Company through April 29), this conference will explore the “rural” cemetery movement and antebellum attitudes toward death. The event is free and open to the public but pre-registration is required. Please register here.


Click here to see the event brochure.