At the Library Company’s 2015 Annual Dinner, speaker Jill
Lepore talked about her recent biography of Benjamin Franklin’s sister, The
Book of Ages: The Life and Opinions of Jane Franklin. We learned that in a
letter to her brother, Jane Franklin penned the words, “I read as much as I
dare.” Digital Outreach Librarian and Curatorial Assistant (and artist)
Concetta Barbera used Jane Franklin’s bold words to design a new Library
Company T-shirt. Printed in either blue or dark red text, the white and
off-white T-shirts are available for $20.00 (plus $6.00 shipping) by contacting
the Library Company at 215-546-3181 or cknight@librarycompany.org.
Jane Franklin’s words also inspired me to I look through our
collection for photographic portraits of people with books or other reading
material.
Books appear as studio props with relative frequency even in
some of our earliest photographs. Sitters may have felt that being portrayed
next to books stacked on a table or posing with a book in one’s lap lent an air
of education or sophistication to a portrait. In her portrait, Juliana Randolph
Wood, a member of a prominent Philadelphia Quaker family, pays little heed to
the daguerreotypist taking her image. Her attention is completely occupied with
the book opened on the table next to her.
Montgomery P. Simons, Julianna Randolph Wood, ca. 1847. P.8928.2. Gift of Radclyffe F. & Maria M. Thompson.
Providing children with a book or a toy to ensure
cooperation in the tedious process of sitting for a portrait has long been a
staple in the portrait photographer’s arsenal. Although the child on the left
seems a tad bored with the letters “F” and “G” in the image below, both
children in this turn-of-the century image sit quietly with the large book
opened on their laps.
Seth Pancoast Levis, Children Reading, 1909. P.9645.372. Gift of Matthew Schultz
The latest in women’s hairstyles seems to have completely
captivated the attention of the little girl who posed with her magazine and
perfect posture for a series of portraits by the well-known Philadelphia female
artist Jessie Willcox Smith.
Jessie Willcox Smith, Unidentified Girl Reading, ca. 1920. P.9446.
Even an amateur photographer knew that having a relaxed
sitter engaged in reading made the work of the photographer go the most
smoothly. Here a boy looks down at a book while his brother or friend attempts
to take his portrait.
Frank Berry, Boy Photographing Another Young Boy, ca. 1907. P.8986.40. Gift of Richard R. Frame.
For elderly sitters, a book may have represented the
knowledge and wisdom acquired over a long life. These two older women,
identified as sisters in their 80s, share a book in this portrait later given
to a family member.
Ludecke Studio, Cousin Matttie Wright’s Aunts from Wilmington, 1912. P.2015.75.
In the earliest days of photography, books provided a
familiar and comfortable prop during what might have been a person’s first
experience of sitting for a daguerreotype. Even as photography grew
commonplace, reading material gave sitters something to focus on to alleviate
the self-consciousness that often accompanies sitting for a portrait session.
Whether young or old, sitters with a book could at least give the illusion of
being caught in a moment of quiet reflection.
Sarah J. Weatherwax
Curator of Prints and Photographs
Curator of Prints and Photographs
